Leave a comment

Reviews: Mendelson Joe, Live at Sixty-Five and Spoiled Bratland

Mendelson Joe
Live at Sixty-Five
Spoiled Bratland
[Old Bold Records]

Mendelson Joe, the dean of Canadian curmudgeonly songwriters, is a cult artist who doesn’t have a solo listing on allmusic.com, seldom ventures too far from his old log cabin home located north of Toronto, doesn’t seem to care much about giving concerts, and doesn’t have much name recognition outside Canada. Some might even argue that he’s a nearly forgotten figure outside his native province.

After several albums as part of a late 1960s-early 1970s blues group called McKenna Mendelson Mainline (later reduced to Mainline), Joe released a solo album, Mr. Middle of the Road (1972), reversed the order of his name, became a respected painter, and gained a reputation as an activist who rails against injustice and apathy. Since then he has released a slew of albums bearing such titles as Not Homogenized, Born to Cuddle, The Name of the Game Ain’t Schmaltz, Humans Bug Me, and Women Are the Hope of the World. Mendelson Joe’s style of music features deliberately plodding rhythms, courtesy of his foot-stomping, and an eccentric, sometimes grunting, vocal style that breathlessly emphasizes every syllable.

At Sixty-Five features both new and old songs with such titles as “I’m a Folkie,” “I’m Fussy,” “Fragile Man” (the title of an album he released in 1986), and a scathing critique of the music business called “They Will Take Your Pants.” Spoiled Bratland is an album that Joe recorded back in 1998, but no label would put it out, so he recently decided to release it himself. Unlike the previous album, on which he flies solo, this one has accompaniment that includes a tuba and some wonderful female back-up singers. Joe wears his heart on his sleeve on some songs, while others have such simple albeit striking titles as “Lawyers” and “Puke (He Makes Me).”

Mendelson Joe has no illusions of appealing to the masses, but fans of singer-songwriter/painter Dan Reeder and of comparable idiosyncratic singer-songwriters/painters should check out one of Canada’s overlooked natural resources.

—Paul E. Comeau (Comeauville, NS, Canada)

Advertisements

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

%d bloggers like this: