2 Comments

Review: Huun Huur Tu, Ancestor’s Call (with photos)

Huun Huur Tu
Ancestors Call
[World Village (2010)]

Some of the planet’s oddest sounds are created by Khoomei (throat-singing) group, Huun Huur Tu. Manipulating their throats and diaphragms to simultaneously produce 3 or 4 distinct tones, the group has transformed the musical traditions of the former Soviet Republic of Tuva, in the foothills of the Mongolian Mountains, into an international phenomenon.

A return to the roots-oriented sound of their earlier work, following a series of more modern, synthesizer-driven recordings, Ancestor’s Call radiates with sonic warmth and sensibility. Though several tunes were previously featured on prior albums, new recordings give them an aural depth unheard in the past. Huun Huur Tu may have appeared to be archaic folk musicians, discovered by ethno-musicologists, when their debut album was released in 1994, but they’ve made incredible strides as world performers. It may reflect a commitment to musical roots, but Ancestor’s Call shows a band transcending the limitations of folk music and aiming successfully at the pinnacle of world music.

Collaborations with chamber orchestras and electronica wiz Carmen Rizzo are reflected in the lush, harmonic, foundations of each piece. Founding member Kaigal-ool Khovalg sets the pace with poly-toned throat singing and igil (a 2-stringed, bowed, spike fiddle) playing. Sayan Bapa, Radik Tulush, and Alexei Saryglar fill out the sound with complex, interlocking throat-singing and virtuosic playing on a variety of traditional Tuvan instruments including doshpuluur (a fretless Tuvan lute), shoor (an end-blown wooden flute), and percussion instruments including a shaman’s drum, a horse’s hoof, and a rattle made from a bull’s testicles. Former member of Tuvan rock band, Yat Gha, Tulush makes his presence felt on Huun Huur Tu’s sound with high-pitched (sygyt) singing and melodic shoor playing. Reproduced sounds of galloping horses, birds and crickets add to the album’s aural pleasures.

—Craig Harris (Chicopee, MA)

[Editor’s note: These are high-resolution photos. They might take a few minutes to load.]

Alexei Saryglar (photo by Craig Harris)

Radik Tulush (photo by Craig Harris)

Sayan Bapa (photo by Craig Harris)

Kaigal-ool Khovalyg (Photo by Craig Harris)

Advertisements

2 comments on “Review: Huun Huur Tu, Ancestor’s Call (with photos)

  1. […] Though their follow-up to their collaboration with electronica wiz and record producer Carmen Rizzo (Eternal), Ancestor’s Call signals a return to their roots, Tuva-based throat singers Huun Huur Tu continue to apply the lessons that they’ve learned and the CD sparkles with sonic brilliance, atmospheric harmonies, and hard to believe throat singing. [Full Driftwood review.] […]

  2. […] no Philadelphia Folk Festival (EUA) em agosto de 2006. Uma resenha mais completa pode ser lida aqui. -19.815731 -43.954223 Compartilhe isto:FacebookTwitterMaisStumbleUponRedditPrintEmailDigg This […]

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

%d bloggers like this: